She was the Queen of First Graders, and I wasn't invited to her birthday party.
"It must be a mistake," she said, tossing her blonde curls out of her eyes. "My mother must have forgotten to send you an invitation."
"Her mother is Polish. They are all anti-Semites. Ask your father," declared my mother when I got home. I never questioned the anti-Semitism radar of either of my parents, both concentration camp survivors. They settled on this little farm, all they knew how to do, which made me the only Jew in a rural public school, missing classes for mysterious Jewish holidays and having invisible frizzy hair compared to the smooth tresses of my classmates.
My mother relented and, while driving me to the party, reminded me of the laws of kashrus, which I already knew by heart.
I arrived in a party dress. Everyone else was wearing shorts and laughing.
"Oh, didn't you know it was casual?" said the Queen Mother.
"She didn't get an invitation, remember," said her daughter.
"Oh, right. It got lost in the mail."
And I was marched up to the Queen's quarters to dress in some of her soft, pink shorts.
After that, I maintained my dignity until it was time to eat. I chose to eat the hot dogs and abstain from the dairy cake and ice cream, proud of myself that I remembered the rule of separation between meat and dairy. Everyone thought it odd that a child would refuse birthday cake and ice cream, but I just claimed I was full.
On the way home, the first thing my mother asked was, "What did you eat there?"
"Only hot dogs and no dairy."
"You what?" she hissed at my image in the rear view mirror. "Trayf hotdogs? Made of pig? How could you be so stupid?"
"We eat hot dogs at home," I mumbled.
"Kosher hot dogs, made of kosher beef. Goyisheh hot dogs are made of pig. Pfeh!"
My mother's eyes narrowed, as if she were witnessing her daughter transforming into a Pig Girl, like some errant child in a Grimm's fairy tale.
My pride in remembering the Milk and Meat Rule withered under the shame of forgetting the inexplicable Law of Rumination, which prohibited ingesting pigs because they failed to regurgitate and chew cud like cows. The frankfurter oozed inside my Jewish flesh, congealing into lard. I wished I could undo my sin, vomit, go back in time, or just bury myself in soil for several days like my mother did to silverware that had been contaminated by both meat and milk. I often noticed knives, forks, and spoons stuck randomly into houseplant pots when the dirt in the garden was frozen.
"Bury me up to my neck," I thought. "So the soil can suck out my impurities. So I can rise like a seedling anew. Make me kosher," I prayed to God.
Aloud, I apologized over and over, though never enough to quell the rage that simmered beneath my mother's tidy surface. Her daughter was a senseless chicken, a fool from Chelm, not intelligent enough to master the essential rituals by which Orthodox Jews all over the world had lived for centuries, back where she grew up in Eastern Europe, except when imprisoned.
"In the camps we ate whatever garbage they gave us." This according to my mother. "We had no choice." But I had eaten pig with gusto at an anti-Semite's table. Somehow this had to be undone. Burial in soil was all I could imagine.
At dusk, I took out all my dolls and snipped their hair off, like I had heard had been done before the gas chambers. I hid the dolls way in the back of my closet like my father had hidden himself in a hayloft after escaping Auschwitz. I marched the box of hair to a corner of my father's flower garden and buried it.
Day after day, I distracted myself from my contaminated state by watching for signs of life in my father's flower garden, something other than his zinnias and marigolds. For while burying the locks of hair and marking the graves with some of my favorite things—a marble, a dreidel, an old penny—I had initiated a counting ritual. Seven days passed. Then eighteen, the Hebrew number for life. Religiously significant numbers. But still no hairs took root. Yet I could not stop counting the days, for fear of triggering a calamity.
Every morning I recited the prayer Modeh Ani, always adding a heartfelt thanks to God for awakening me in Faraway Farm and not in Auschwitz. Then I would check the graves, well into fall. While my father harvested the seeds of his marigolds and zinnias, certain they would grow again next year, my graves lay fallow. I prayed that after some magical number of days, perhaps in the millions, a perfect miniature girl, a golem mud-child with a pristine soul, would emerge from the soil, like Thumbelina who grew from a seed of chicken feed planted by a childless woman. I hoped for a creature far purer than me, perhaps with the soul of one of my mother's lost siblings, to finally bring to my bereaved parents the comfort I knew I could never provide.
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This story appeared in the October/November 2010 issue of Eclectica: http://www.eclectica.org/v14n4/garfunkel.html
Hi Gloria, perhaps rather than the link, you might consider publishing Pig Girl here on Fictionaut. It would not be difficult to edit this entry. The rights to the story revert back to you after publication -- and if you post the story here, it is more likely that other Fictionauts will read and comment. And welcome!
Welcome, Gloria! Post your published link in the appropriate Publications Group (in GROUPS). Paste your story here. Looking forward to reading.
Hooray, you posted this Gloria. Always, it is painful enough to me when a story begins about a young girl not invited to a birthday party. Add to this semitism and the Holocaust. ANd how hard everyhing is for this little girl, trying so hard. This is an enormously effective short story.
What resonance from such a brief piece! Glad to read it here, Gloria.
This was incredibly well done.
Fine, fine piece.
*
Painful.
And very poignantly wrought.
fave!
This is very moving. It is moving because of its subjects and delivered with elegance, not a misstep in style. *
"My pride in remembering the Milk and Meat Rule withered under the shame of forgetting the inexplicable Law of Rumination, which prohibited ingesting pigs because they failed to regurgitate and chew cud like cows. The frankfurter oozed inside my Jewish flesh, congealing into lard. I wished I could undo my sin, vomit, go back in time, or just bury myself in soil for several days like my mother did to silverware that had been contaminated by both meat and milk. I often noticed knives, forks, and spoons stuck randomly into houseplant pots when the dirt in the garden was frozen." *
I am so moved by all of these comments and have gone on to investigate your own stories, like an excited child on a treasure hunt. So much dedication and talent! It's amazing to find on one website. Also, so much excellent flash fiction. It's inspiring and validating.
Gloria,
Tell Them Anything You Want by Spike Jones is a film about Maurice Sendak. In it, Sendak speaks frankly about his feelings towards his parents and their harping on what he ate and what it did to him. His parents too were H survivors.
This reminded me of that.
That is very flattering and also fascinating. I will definitely watch the film. Food is of course a huge issue for people who starved in concentration camps. Thank you so much for your informative comment. It really sheds a new light on Sendak's Where the Wild Things Are, a book that has helped quell so many children's nightmares, something I'm sure he, like me, could not do for his parents.
Ah brilliant.
POV is so well done. Not a misstep here. *
Stunning.
Beautifully and artfully written. Reminds us of the paradoxes of blind commitment. Bravo!
Her voice and childish (note, not immature) understanding are perfect and heart breaking. So well done. *
Fave. Hauntingly, fairy tale-like. Beautifully told.
A story about a little girl and a birthday party, but the camps are there, the shoah, the whole before and after. A metonymic invocation. Wonderful.
Finely written, and yet the 'child voice' sings through the text and pulled me deep into this life.
*
Wonderfully written. Told so well.
*
This is a great work, delivered with a distinctive voice. Thank you for sharing it.*
So glad I finally got around to reading this. Moving and well told.
Wow. Wow! *
Damn great work. GREAT.
mind blowing! perfectly written.
After years of invisible writing and blogging flash fiction and poetry (among other things) under pseudonyms, you have no idea how fantastic it feels to come out of the closet and show my work to such a fine group of writers and get this sort of reaction. Publishing in journals, you don't get this kind of immediate feedback. It is one of the pleasures of blogging. The fictionaut format provides this benefit for writers. It can be lonely work. Each comment spurs me on and keeps me going with my writing. And when I read your own wonderful writings, I'm all the more flattered. Thank you. Thank you. Thank you.
Beautifully told, pulled me right in. I especially enjoyed your triggering the world of Grimm's tales and the alchemical ending. I'm currently reading Sebald's The Emigrants, a completely different way of dealing with the Holocaust, but it still opened those same wounds.
painfully sad. Wonderfully written.
What a harrowing story of rules and trying to obey them and still fit into the world. *
"I often noticed knives, forks, and spoons stuck randomly into houseplant pots when the dirt in the garden was frozen."
Such a perfect tiny detail! I love it. I am going to go think about the cutlery I need to stick in the soil of my own stories.
I'm so glad you each were drawn to a different aspect of the story. That's why it's great to have so many readers, and why it's hard to know which elements to include and exclude. I am looking forward to reading Sebald.
The writing is very direct - "Every morning I recited the prayer Modeh Ani, always adding a heartfelt thanks to God for awakening me in Faraway Farm and not in Auschwitz. Then I would check the graves, well into fall."
Impossible to resist. Great work.*
I love it when a reader points out a passage they picked out of all the others. Thank you so much for the fave.
Always enjoyable to see a subject that could fall into sentiment handled with the proper care so that a fine story emerges instead.
Thank you. Not falling into sentiment is always a challenge, but I think I have pretty good sentimentality sensors.
An important, potent story, rich and enlightening.
There's a cruelty that keeps it from becoming sentimental. I like how stoic she is about not being invited to the party. I want to know more about how she comes to see her religion as she grows older. Moving and insightful with so many great touches.*
The narrator's shame is so clearly communicated and very keenly felt. This feels so much more than just a snapshot. Brilliant!
Especially love the ending flying away on this: 'a golem mud-child with a pristine soul'. *
Thank you Tantra, John, LiAnn and Penny for your kind comments. I will try to get to your walls after I read some of your work for a fuller response.
A beautiful piece on second-generation Holocaust survivors - may God give us understanding.
Your words brought a lump to my throat. Thank you.
Really, really good writing, very much enjoyed reading this.
Thanks so much, Kenny. I really appreciate your words.
Remarkable story, perfectly written, compelling narrative voice, intriguing characters, insightful details, a pleasure to read. *
Thank you so very, very much for all that kindness.
"Lost in the mail" is a beautiful metaphor for repressed social disconnect. The Queen and her mother neglect to invite the girl, but they do not ostracize her explicitly.
Their lending her the shorts caused me to second guess my original conclusions in the same way the protagonist might. Excellent.
that opened up a whole slew of visions and ideas ... really blew me away Gloria. Fav beyond belief. I'd read a 9000 page book written in this style without getting up for a soda or anything.
The part with burying things in the soil and the girl mimicking her parent's history by cutting off the dolls hair and hiding the dolls, oh my god, blew me away.
*
This is wonderful. The character compels me, the mythology informs me, and that ending shatters my heart. I feel for this girl, and want the best for her. This is a sign that a story has done its job well.
A very poignant and penetrating piece, Gloria. You address so much, from the simple and generalized "us" and "them" to the specifics from a personal and historical perspective, and how this impacts a little child's sense of self. Brilliant! *
Wow, this brings back memories of my father's stories of growing up in one of the only Jewish families in the OK/KS area he lived in. Thank you.
Amazing stuff. I loved this: <I>For while burying the locks of hair and marking the graves with some of my favorite things—a marble, a dreidel, an old penny—I had initiated a counting ritual. Seven days passed. Then eighteen, the Hebrew number for life. Religiously significant numbers. But still no hairs took root. Yet I could not stop counting the days, for fear of triggering a calamity.</I>--Fav!
Hi Gloria, I read this a while back and intended to tell you that it reminds me of Grace Paley whose writing I like very much. Same kind of wonderful humor, not saying that the story is a mimic, not at all. It is your own voice, but I think of Grace in a smiling way.
These are such insightful, informative, thought-provoking comments I really appreciate them all tremendously.
Your usual topnotch performance: smooth lucid writing, harmonic evocation of strong emotions that never tips the balance too far in favor of any one in particular, entertaining and informative action. But this might be one of your VERY best; I would recommend numbering it among your top ten and perhaps using it as a sort of touchstone for future work. By the bye, I come from a long line of proof-readers and I hope you won't think me too petty for pointing out: "...separation between milk and dairy" perhaps wants to be: "...separation between MEAT and dairy," or am I missing something? At any rate, this story could have a gazillion typos and still I would have loved it -- thanks for posting!
No, I made an error. It was meat and dairy. Thank you so much for your generous comment. It is my best story and took me years to write.
So much depth of emotion and thought in this. Definitely one that will stay with me for awhile.
Thank you so much.
There is such compassion in this story! I love the little girl and her parents. All of them are survivors, finding their way. Fav.
Thank you so much, Nonnie.
Very impressive piece Gloria. Wonderful characterizations. FAV
Thank you so much, George.