I stop for Coup de' Villes and blue eyed men who run
marathons of ghosts and what if I was in love with a
boy named Roberto in our Spanish class in High School
who was half Japanese and half German and preferred penises
to my virginity and what if the boy next door was in love with the
other girl next door and not me and what if her name
was Maria and what if my husband later would leave me
for a Maria and what of it if I break to admire the canary
yellow long cars parked in front of the old Ozark House
filled with men who were shipped off to Viet Nam when
they were 17 and what if I ride my bike past the golf course
across the Ozark House at sunset as these same men search
for their keys after three scotches on the rocks and who may
have been my father but are not because my father was
too busy tripping on LSD as his lobotomy hummed a little tune
from long ago when he was young and living the life of a prince
in Havana, the prodigal son who should have taken on the family
business but instead was imprisoned by Fidel in a cold cell naked
and as his paranoia sank in, the rest is history and here I am and what
if Free Bird starts to play in my headphones and I fly
like a little boy catching the moon while I think of you?
To be highly commended for its experimenting with the form of the sentence (though it might be argued that the frequency of the "what if" construct as a connective is slightly artificial - but that is a purely personal call.) It also packs an amazingly lot in, so it's word efficient.
I agree with Eamon's comments. *