America by mile-marker. Paint by #, connect the dots on a map—touch every state. Take highways, waysides, down and arounds, detours. The horizon goes on forever, each cloud looks somehow like the state you're in. Silver rivers, blue mountains. Mud. Wet tree limbs sag heavy. Walls of green suddenly end, get replaced by concrete columns, sidewalks, bridge foundations, sheets of steel, glass, antennas aimed at the cosmos—then, that shrinks, the green springs back up out of the earth, it's all a blur out the window of the sky blue Fairmont.
Stop in truck stops, browsing cassette bins; Creedence Clearwater Revival, Simon and Garfunkel, golden oldies from back before you were born. T-shirts and coffee cups with logos of the nearest city hanging off metal hooks in white Formica pin board. The register girl drums her nails on the counter. Bleached blonde hair, a streak of green, mouthing the words to Sister Christian, "...motoring … what's you're price for flight?" Sustain yourself on beef jerky and wild cherry Pepsi. Gift shops. Everywhere is a gift shop. They can't help themselves. Gotta survive off the traveler. Plaster casts of everything possible; magnets, key-chains, snow globes with the close proximity National monument trapped inside, waiting for you to shake them. You never do.
Eat eggs sunny side up. Fried hard. Over easy, whatever you want. Hash-browns and corned beef hash, sausage links, glistening. Make eyes with the waitress, always try the waffles with a fruit cup. Refuse the whipped cream. Diners. Little luncheonettes. Restaurants advertised on billboards beginning 100 plus miles away. Counting down … counting down … 95 Miles til Peggy Lee's Diner! 60 miles til Peggy Lee's Diner! 35 miles til … oh … you just passed Peggy Lee's Diner. Turn around. Open faced sandwiches. Whatever the special is: Meatloaf, Salisbury Steak, Chicken Fried Steaks. "I'll have the lemon pepper chicken with wild rice" "Honey, it's Tuesday. That's Thursday's Special." No matter, it's all good. Just don't order the pizza. You're too far from the ocean now. Tip well, take the leftovers with you in Styrofoam clam-shells, slide out of the booth, make your way back to the parking lot, a toothpick in your teeth.
See dusty flat top plains. Mauve sunsets. Stars coming into focus over ravines. The valleys where the prayers gather; underdeveloped, unable to float like balloons up into the sky. Power-lines sagging between generating stations. Windows lit up golden, smoke coming out of a chimney, a rail-thin dog running along a mile of net wire cattle fence, barking at the Fairmont, us yelling at it so that it keeps trying to jump the fence and get into our car. We don't care. If it can get in, the pooch can ride. Cows, horses, semi-trucks, beat up tractors. A red barn busted, decayed, and probably housing zombies. Pee in the thorn bush, an eye on the barn door, if it moves an inch, sprint back to the car. They'll eat you, guts an all, pull your gizzards out like taffy.
Seek entertainment: drive-in movies, semi-pro wrestling matches at the local high-school, roller-skate rinks, lemonade and some kind of poison in a Dixie cup. Fireworks popping over a football field but, "I don't think this is football season? Is it?" "Got me." Ferris wheels in the distance getting closer, small green lights and screams from roller-coasters, the smell of popcorn, hay, funnel cake, mules and horses behind wooden gates, corn dogs, peppers and onions, the cotton candy machine. Dawn comes like a surprise, still sitting on the hood of the car, talking about what's right and wrong. Bullshitting. Lying. Chewing on a long piece of wheat. At least, you think it's wheat. You're not sure.
Gasoline. All the gasoline in the world. Burn it. Blue bug windshield fluid. Oil by the gallon. The engine shudders. When it rains the Fairmont gets washed. Sometimes a stray dog pisses on the tires, that helps too. Take turns driving. Take turns sleeping in the back seat, avoiding that sharp spring that pokes out. Seat belts. Her hair whipping in the wind. No air conditioning. No power steering. Iffy brakes. Watch out for potholes, these shocks are fucked. Add rations to the trunk. Cooler with ice. Beer. Lunch meat. When she pumps gas, she leans with one hand on her hip, the other holding the handle and she stares off into space, until the safety clicks off and stops. Once though, the safety must have been busted and fuel sprayed out all over the side of the car and all down her stocking. We laughed, she took them off, we burnt them in the fire later. She rode barefoot, her feet on the dash, her thighs looking good as I shifted and listened to the radio go from clear transmission to total static and then back.
Stay in motels. Dumps. Sleep in parking lots. Find campgrounds, no quarters for the pay showers—wash your sweat and gunk and worry in crystal clear rivers. So cold you'd think you just died and from this point on you're just a ghost. Random roadside neon signs advertising vacancies and free HBO, magic fingers beds, carpet that looked good in 1977, thin mattress, yellow smoke stains on the silver and orange wallpaper.
Drive. Drive. Drive. Lakes reservoirs, junkyards, sports bars. Small town cops, State troopers, cowboys in Levis, girls driving trucks, talking tough. Always scouting for bathrooms, find surprising and useless vending machines for flavored lube, mints, cologne. Convenience stores with Pac-man, Galaga, nudie magazines, fuzzy dice everywhere. Casino machines. Digital poker. Blinking lights. People leaning against brick walls outside, saying to her, "You ain't from around here." Even they laugh when they say it, because they know that they're just playing along with some role in a movie they've seen. My Cousin Vinny probably.
Then, these strangers shake your hand, and say, "You're on the road, really? Traveling America? Really. I always wanted to do that!"
"Then you outta come with us!"
"Oh … I wish I could."
"So do we," we say, climbing back in the car, waving as we pull back out onto the road.
Jack rabbits sprint across the black top. Play the game of spotting strange license plates, "Oh! That's Oklahoma, I think!"
"No ... it's Nebraska."
Speed up, cross another state line. America reveals itself to you. Everything leaning in close whispering in your ear like an electric secret that you can never properly share.
badass.***
thanks James. I'm tinkering with it.
I have a lot of fucking dialogue in this novel, but I really want to add lucid prose to catch the reader off-guard and add a sense of dark adventure.
Dunno.
Well-written, good stuff, but seems to exist outside of any recognizable narrative/dramatic context. It just simply is, and as such appears to be static--notes taken during the story, for the story, not the story itself.
I suggest an inter-weaving of this material into the forward-moving story as soon as possible.
Kickstart prose and heavy pedal metaphors.... so perfectly Amurican that all it lacks is a Springsteen song and a gun.
I like it.
Thanks Henry. Yes, this is a summary of a month long road trip barreling aimlessly through America with the narrator (a man who's been killed in a helicopter crash in Iraq) and his Nurse, as they head towards New Mexico and a faith healing cult that operates out of a gold mine.
Yeah, James Lloyd Davis, it needs a Springsteen song in there. Good point!
You rock
" as they head towards New Mexico and a faith healing cult that operates out of a gold mine."
Well, that sounds like something, there!
yes ... the novel is 3/4 of the way done with re-writes and edits and will be available in an 'unpublished' form in early 2013.
sweet.
* also, sorry, the man is not dead. He's very much alive.
This is very, very good. The fragmented images capture the road trip perfectly. However...without having read anyone else's notes I nearly bailed about halfway through because I was missing a sense of story. Was intrigued enough, however, to want to see where this was going. It really picked up for me when I hit the dialog at the end.
For ME, I would love to see the dialog interspersed throughout to anchor this to a story.
Really like this, though, and connected with all the images. Keep going with it.
It pulled triggers because it is something I'd very much like to do (I reckon there is a little bit in many of us who'd like to experience America like this).
I'm guessing the novel is about the people though, not the journey.
Intriguing though, very intriguing.
So how will the novel be published?
Steve,
Yes .. America slowly by car is a good time and must be experienced. I've done it three times so far. Looking forward to my fourth after I see the rest of the world a little more.
The novel is being pitched/queried beginning in November. Just wrapping up final edits. Of course, final edits don't mean anything. It's never done being edited.
I imagine I'll make up a 'run' of novels myself, maybe 100 of them that I sell 'as is' regardless of whether a small press takes the novel or whether it sits.
Yes, the rest of the novel is very much about the people. This segment is a break from the people and an adventure.
Thalamus,
Yes! This hunk of prose could really use a little more dialogue! For sure. I think I will add some and possibly submit this segment to some places. I think it might find a home in a journal somewhere.
Thanks for the read and the comment. Very much appreciated.
This is definitely a solid narrative. Held me all the way through, maybe because it reminds me of the road trips I've taken. Well-done.
Would make a great road movie on its own. Great pleasures in this.
Thanks Misti, yeah I've gone cross country 3 times by car. Always some surprising things out there on the road. Always some familiar things too.
Thanks Gary, appreciate the note.
Nice ride.
thanks Gary!