by Adam Strong
Her through the phone line,
a pause, a hold in her voice.
Mom.
The things we miss
as adults,
the turns of phrase,
the little pauses.
The in between of conversations are
opportunities are avenues,
five lane highways
where we can be like we were,
grown ups
talking like children.
We age.
We change.
We don't know how to be
kids and adults.
Where one begins and the other ends.
Mom.
Don't want to be grown up when I hear the age in her voice.
Don't want it to be me taking care of her someday.
Want to be like it was.
Want it to be
Me and Mom.
Folding laundry,
Short Cuts on VHS,
Raymond Carver,
the poetry in a moment
on screen.
Tim Robbins
with a sandwich hanging out of his mouth.
Robbins being awful cop,
awful father, awful husband.
The mechanics of being awful
being grown up.
The grinding gears of
Art and artifice,
pretend for grown-ups.
The two of us
Folding laundry.
I could sit there,
and she'd marvel
at the way I loved a moment.
One who loves a moment
who loves another
who loves a moment.
Mom watching me.
Admiring a turn of phrase,
a strong piece of acting.
The lie in art.
Mom watching me,
when I didn't think she was.
I moved away from my
Family,
my old family,
Mom & Dad & Sis,
3000 miles way.
I started a new family.
I carved out my own life
out of the leftovers of
what I left behind.
Moved away as far as I could,
started over.
The only things I brought were
the things that made Me,
Me.
.
On the couch,
the laundry,
Me and Mom.
Short cuts.
When we loved a line.
The art of artifice
A Raymond Carver line,
The mechanics of being grown
Awful father, awful policeman.
The look from my Mom,
short and sweet.
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